Jon Dietrick has noted, for example, what he calls Willy's "sense of separation from nature" (28). But recently some critics have begun to take Willy's lament that he has nothing "in the ground" more literally, suggesting that his problems are not only sociological or psychological but also ecological. Since Death of Salesman premiered in 1949, no shortage of commentators have identified the roots of Willy's crisis and ultimate suicide in a cutthroat economic system, in Willy's misguided dreams, or in some combination of the two. I don't have a thing in the ground" (122). Fired from the job he has worked for over 35 years, abandoned by his two sons in a restaurant bathroom, Arthur Millers Willy Loman, probably the most famous salesman in American theatre history, laments, "Nothings planted.
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